Metropolitan Homesick Blues

Southampton Stories & Other Stuff

Archive for April 2015

CEMETERY ROAD

with 6 comments

I walked the Cemetery Road the other morning. It leads to the remains of Southampton’s original cemetery that lies, long since abandoned on a high, crumbling cliff overlooking the Saugeen River. This road is always at winter’s mercy, as the Town doesn’t maintain it except in late spring.

Attachment-12

A cold east wind soughed through the trees. There was a chill in the air even though the sun did its best to pierce the battlement-like tall cedars that lined each side of the road. The shade from these trees is the reason for the slow melt on the forest floor. Even so, water runs freely in the ditches that hug the shoulders of the damp, rutted, pot-holed road. Overhead a Bald Eagle inscribes lazy circles in an unbelievably blue sky. A sentinel Crow sounds the alarm as I round a turn out of sunshine into shade.

On the road, a short distance ahead of me, I see a man, slightly stooped, slowly walking with the aid of a cane, his gait steady, measured, deliberate. It isn’t long before I’m beside him, my pace now moderated to match his.

“Good morning.” I say. “Great day for a walk.”

He stopped. Smiled. Nodded. “Indeed it is.”

We walked, side by side for a ways, talking of nothing in particular and everything in general. His eyes were bright blue. His smile suggested gentleness. He wore a greying mustache that gave him the rakish look of someone who flew Lancaster Bombers in World War Two. His leather Bomber Jacket with a fur collar fit perfectly with the mental picture I was drawing of my new companion.

“That’s quite a camera you have there. You must be a photographer.”

“No.” I said. “I play at photography. Just a hobby.”

“I had a Mamiya 6. Got it after the war. Fine camera…a lot different than what you’ve got there.”

“Times change,” I said politely.

At that moment I felt myself becoming impatient with the slowness of our walk. That if I wanted to keep chatting, I was compelled to move at his pace. I wondered if he was aware that because of our chance meeting, he had slowed me down…forcing me, however subtly, into his world.

Don’t be ridiculous, I thought. Then again, don’t we all do that every day of our lives…gently steer people to meet us on our terms…to agree with our outlook on life…our thinking…our opinions…to move at our pace? And more often than not, our resistance is a source of conflict in our lives.

“I think I’ll head home now” His words broke through my silly train of thought. “I’ve gone far enough.”

He had no thoughts other than a pleasant walk with a stranger. On this quiet country road this elderly gentleman had reached his limit. I watched him retrace his path leaning on his cane more than before; shoulders hunched…his step a little slower now. “Cemetery Road,” I muttered to myself.

I picked up my usual pace and moved on…not sure of when I would turn back. Before I rounded a corner I glanced over my shoulder, but he was nowhere in sight.

Regrettably, I never asked him his name.

Attachment-1

Written by metropolitanhomesickblues

April 20, 2015 at 3:13 PM

ED’S CHAIR

with 2 comments

Vivian was an Art Director that worked for me back in the 90’s during my Ogilvy & Mather days.

She was good. Imaginative. More than willing to present concepts that challenged clients. Her layouts and comps were brilliantly rendered. (InDesign and Photoshop weren’t in wide use back then).

The reality that she was a fine artist was suspected, but remained hidden from us until the day she walked into the Creative Lounge with a battered old art bag full of her watercolours. She had finally decided to show her work and she wanted our opinion…and one of us to write artsy descriptions of each painting.

What we saw were wonderful representations of Toronto, evocative street scenes, finely detailed, bursting with vivid colour. We were impressed, full of praise. Viv was humble. She had stepped outside the confines of advertising and shown us another, creatively different, side of her. She did leave one piece in her bag, though. I pulled it out and she quickly took it from me. “This isn’t worth showing,” she said. “Its too slap-dash.”

chair

It looked like she had ripped it out of her sketchbook; the edges were rough and unevenly torn. But, I liked its simplicity. There was a richness to the varying shades of green that edged up to a slightly out of perspective white Muskoka Chair with three gray shadow stripes across its back.starkness. The chair stood solitary as if waiting for someone.

I was taken by it. This was the garden and the chair I pictured myself one day relaxing in on a quiet summer’s afternoon…not caring about much. At rest. Done with the storms and stresses of ambitions and competitions I depended on for a living were over. It was a picture of a promise I would make to myself.

I told Vivian what I saw in her “slap-dash” work and she smiled. “Ha. Ed’s Chair,” she said. “OK, it’s yours.”

I did pay her. Can’t remember how much. After I retired I had it framed. It hangs in my bedroom.

Today, I have the garden. I have the chair. And I have the quiet summer afternoons to sit and pass the time any way I wish.

Promise kept.

Written by metropolitanhomesickblues

April 4, 2015 at 4:10 PM